Wednesday, December 18, 2013

Louisiana: Traditional Music: Louisiana Folk Roots


Cajun jam, hosted by Louisiana Folk Roots, Vermilionville, Lafayette, Louisiana.



There are a number of organizations that support traditional music of southern Louisiana. I say southern Louisiana for now, and I say traditional music for now, but both terms are fluid for me til I learn more.

Cajun jam, hosted by Louisiana Folk Roots, Vermilionville, Lafayette, Louisiana.



One group is Louisiana Folk Roots, which exists to "nurture, share and perpetuate Louisiana's rich cultural heritage," more specifically, its cajun and creole roots. 


Cajun jam, hosted by Louisiana Folk Roots, Vermilionville, Lafayette, Louisiana.



This past weekend, Louisiana Folk Roots hosted a cajun "super jam" at its headquarters in the historic Begnaud House in Vermilionville


Back of Begnaud House. Cajun jam, hosted by Louisiana Folk Roots, Vermilionville, Lafayette, Louisiana.


It was rainy and a little chilly, and my tentative take is that this keeps southern Louisianans at home. So there were perhaps fewer in attendance than would otherwise have been if the weather had been better. Even so, there was plenty of good energy here among both the musicians and the appreciative listeners. 





There was a giant kettle of pork jambalaya, too.

Pork jambalaya. Cajun jam, hosted by Louisiana Folk Roots, Vermilionville, Lafayette, Louisiana.

It was especially fine when I went out to the back porch, rocked on the wooden bench, and looked out at the pond while listening to the music within:

Pond behind Begnaud House. Cajun jam, hosted by Louisiana Folk Roots, Vermilionville, Lafayette, Louisiana.
  

A great blue heron swooped through while I rocked and listened. 

There's a wide age range at these jams, and that's essential if traditional music is to thrive. More girls and women needed, though.

Is it the coolest thing that I can go listen to cajun or zydeco every single Saturday and Sunday, practically on my doorstep?

Yes, yes it is.




Tuesday, December 17, 2013

Lafayette: 2nd Saturday Art Walk: December 2013


Donald Leblanc, Gallery 549, Lafayette, Louisiana



A new friend took me to Lafayette's 2nd Saturday ArtWalk.  It's downtown and goes from 6-8 p.m.. There's a featured music performance, free wine/apps at the various galleries, and an open house with artist & writer tables at the Acadiana Center for the Arts.

2nd Saturday ArtWalk, Lafayette, Louisiana. December 2013.



ArtWalk is a concentrated gathering of creative people, so it's, as Dr. Phil liked to say, a "target-rich environment" for interesting conversations.  

In addition to ArtWalk's visual feast, an artist, Darryl Demourelle, gave me a lead on some good boat-related stories to follow up on. A tidbit: Fishermen used to sink their boats in the off-season to avoid paying taxes on same. Federal agents knew this and often searched the waterways for the sunken boats. (Keeping the boats submerged also preserved the wood during the off-season.)

About Mr. Demourelle, well, I'll be damned if he isn't the artist who painted this, which I snapped on my 2011/2012 road trip.

Breaux Bridge, Louisiana. Artwork: Darryl Demourelle.


We lingered in the good-smelling Benoit Gallery, talking with artist Bryant Benoit and his wife/business manager, Joey Benoit. Mr. Benoit is moved to layer his work figuratively and literally, an approach that jibes with all of the layers that comprise southern Louisiana.    

Bryant Benoit, Benoit Gallery, Lafayette, Louisiana


We moved on to the brightly-lit, open-spaced Gallery 549, owned by Donald Leblanc. Lots of folks there, plus what looked like a goodly assortment of artists' works represented. One assembly of work really pulled me in:


Donald Leblanc, Gallery 549, Lafayette, Louisiana


It was so amusing to learn later that this was Mr. Leblanc's work!

Over at the Acadiana Center for the Arts, artist-in-residence, Keaton R. Smith, gave a sneak preview of an upcoming presentation:


 


Also at the ACA was an exhibit by Luis Cruz Azaceta:

Luis Cruz Azaceta, Acadiana Center for the Arts, Lafayette, Louisiana

I'm a sucker for his Godzilla:


Luis Cruz Azaceta, Acadiana Center for the Arts, Lafayette, Louisiana


When we walked by the artists and writers tables, my friend cried out, "Mon Dieu!" (She is French.) There in front of us, though I didn't appreciate it at the time, was Zachary Richard. Who I in short order learned is a legendary songwriter. His book, The History of the Acadians of Louisiana, was just published, in English and French.

To help me out, Mr. Richard noted that he'd written Colinda (a very famous cajun song and which is on The Big Easy soundtrack). When he mentioned that song, I mentally cocked my head like a dog does when it's hearing something it kinda gets, but which remains elusive. It wasn't til I looked it up and found this video that I realized I'd heard the very same song earlier the same day because it is on my mp3 player. Doh.




At the same table was St. Martinville artist, Dennis Paul Williams. In partnership with a photographer, he created a book of his paintings. (Mr. Williams is also a musician.)

Soul Exchange, Dennis Paul Williams. Credit: University of Louisiana Press


Some beautiful work there. The cover painting and his connection with St. Martinville reminded me of the floating Christmas angels in the trees in front of the church in that town.


Christmas angels, St. Martinville, Louisiana. December 2011.

 
It was a good way to spend a Saturday night.


I drank a little too much wine, though. 

Monday, December 16, 2013

Lafayette: Chocolate-Dipped Crawtators


All that was left of the chocolate-dipped crawtators on the table was this sign:

Crawtators sign, Lafayette Artwalk, Louisiana, December 2013.


So I still don't know what they are, but my imagination is conjuring up some possibilities.

Oh. I didn't think of this

Sunday, December 15, 2013

New Mexico: Bosque Redondo Memorial, Part 2: Luck


Bosque Redondo Memorial, Fort Sumner, New Mexico


What is luck? 

Yes, I know there are those who espouse the "everything happens for a reason" model. I'm not among them. Rather, I believe it is we who place meaning on what happens to us and the world around us. 

Does luck exist because we have created this idea of luck? Or is an event a function of a random throw of existential dice, and thus neutral, and therefore unremarkable? Might not one lucky event, if we pull back for a space-station view of a life over the course of its many years, result in not-luck down the road?

Well, anyway.

I was lucky. 

I was already feeling good when I walked into the Bosque Redondo Memorial building because of the enchanting experience here (with a respectful nod to the yang side of said enchantment as noted by a reader here).

The first good vibe came when, immediately upon walking into the memorial foyer, a smiling woman greeted me with a friendly welcome.

Then she informed me that a tour of the site had just begun and if I'd like to join it, I could tag along. And I did.

That friendly smile and invitation - and, I suppose, my acceptance of said invitation - bloomed into a sequence of lucky moments: 
  • a tour given by a woman who clearly loves the place and what it represents, 
  • a delicious lunch (!) catered by Fort Sumner community members
  • tasty conversation tidbits with the bona fide members of the tour group, 
  • an astounding video that I'll talk about later, and 
  • the gift of a puzzle piece I'd been seeking while trying to process Edwin R. Sweeney's book, Mangas Coloradas, Chief of the Chiricahua Apaches

The group of people on tour this day at the memorial were members of the Palace of the Governors in Santa Fe.


Not really luck

My good luck wouldn't have happened if the folks at the memorial, which included staff, volunteers, and members of the local Chamber of Commerce, didn't have a generosity of spirit and an understanding of the bigger picture - to promote the memorial and their town.

They could have easily kept things exclusive, but instead they embraced the stranger walking through their door. Kudos.


And in case you're wondering .... yes, I'm sneaking up on the tangible and intangible of this place and what it commemorates. It's not an easy story.


Saturday, December 14, 2013

Louisiana Movies: Beasts of the Southern Wild



Movie: Beasts of the Southern Wild

Provenance:   Filmed in Terrebone Parish, Louisiana. A film about a tight, isolated community in Louisiana.   

Synopsis (excerpted from here):

In a forgotten but defiant bayou community cut off from the rest of the world by a sprawling levee, a six-year-old girl, Hushpuppy, exists on the brink of orphanhood. Buoyed by her childish optimism and extraordinary imagination, she believes that the natural order is in balance with the universe until a fierce storm changes her reality. Desperate to repair the structure of her world in order to save her ailing father and sinking home, this tiny hero must learn to survive unstoppable catastrophes of epic proportions.
In a forgotten but defiant bayou community cut off from the rest of the world by a sprawling levee, a six-year-old girl, Hushpuppy, exists on the brink of orphanhood. Buoyed by her childish optimism and extraordinary imagination, she believes that the natural order is in balance with the universe until a fierce storm changes her reality. Desperate to repair the structure of her world in order to save her ailing father and sinking home, this tiny hero must learn to survive unstoppable catastrophes of epic proportions. - See more at: http://www.beastsofthesouthernwild.com/about#sthash.18Px8VR9.dpuf




The movie is an emotional rocker almost from start to finish.

The people of the Bathtub reminded me of what Paata said once about the Svaneti in the Caucasus Mountains - "The Svans are our wild Georgians," meaning they are people who have lived to their own code for centuries, are isolated, and renowned for their ferocity, independence, and endurance.



More poignantly, they reminded me of the wild creatures tattooed on the teacher's thigh - magnificent, but now gone. Or of a wiki-stub, where there's some knowledge of the topic, but not much, a sort of informational dead-end.

Louisiana's Isle de Jean Charles, a disintegrating island in Terrebone Parish, was one of several inspirations for director Benh Zeitlin's vision for the film. 

There are innumerable chapters that shine in the movie, so I'll just pick one sequence to share because of its painting of girl power and vulnerability: When the four little girls commenced to the water after a warrior's scream, and then swam to a boat for ferrying to a floating bar ... subsequent scenes of tenderness between the girls and the women who worked there .. the exchange between Hushpuppy and ... well, I don't want to spoil things for anyone who hasn't seen the movie yet.

Recommend? Yes! Have tissue on hand. 

Note: The Making of documentary that is also on the DVD is almost as engrossing as the movie itself.

Friday, December 13, 2013

Louisiana Lit: Half of Paradise


Half of Paradise cover, Pocket Books. Found: Bill Crider


Book: Half of Paradise

Author: James Lee Burke

Author's provenance: (excerpted from his website)
James Lee Burke was born in Houston, Texas, in 1936 and grew up on the Texas-Louisiana gulf coast. He attended Southwestern Louisiana Institute and later received a B. A. Degree in English and an M. A. from the University of Missouri in 1958 and 1960 respectively. Over the years he worked as a landman for Sinclair Oil Company, pipeliner, land surveyor, newspaper reporter, college English professor, social worker on Skid Row in Los Angeles, clerk for the Louisiana Employment Service, and instructor in the U. S. Job Corps.
A number of Mr. Burke's books have been set in Louisiana. His most famous series revolves around the character of Dave Robicheaux, of cajun heritage, a cop in Louisiana.

Half of Paradise blurb, Pocket Books. Found: Bill Crider


Written in 1965, Half of Paradise was Mr. Burke's first published novel. Has nothing to do with Robicheaux - it is about three other Louisianans: Toussaint, Broussard, and Winfield. In a nutshell, all end up in hell in various ways, pretty much by their own hands.  

I did get a sense of place in the book, which kept me somewhat engaged. Toussaint's actions made the most sense of the three, and I could see how he ended up the way he did (dead). I never saw quite how Winfield got enmeshed into the drug scene - it seemed a little too Reefer Madness to me - you know - take one little bit of a drug and you're a lunatic from that moment. Not to mention the woman who leads him to the fiery gates. (He also dies.) As for Broussard, yes, I got the alcoholic thing and that his aristocratic heritage shriveled up and died, but alcoholism doesn't explain the dipshit decisions/behaviors he engaged in from the beginning of his moonshine escapade all the way to the end. (He ends up back in the work camp.)

I'm pretty sure I've read at least one of Mr. Burke's books in the past, but I didn't remember the strong Louisiana connection until my mother pointed it out - she is in the process of churning through his work. So I'm giving them a go. Might be fun to visit some of the places in his books.

Recommend? No, not really.



Thursday, December 12, 2013

New Mexico: Bosque Redondo Memorial, Part 1: How I Got There


The Long Walk, by C Ortiz. Bosque Redondo Memorial, Fort Sumner, New Mexico


What is the Bosque de Redondo Memorial?

Bosque de Redondo Memorial is a place that commemorates The Long Walk (and subsequent detention) of thousands of Navajo and Apache.

The Long Walk, circa 1864, occurred when the U.S. Army forced thousands of Navajo into what was, for all intents and purposes a concentration camp, in Bosque Redondo (later called Fort Sumner) in which the Navajo and Mescalero Apache remained until 1868.

How I got there

I'm pretty sure I wouldn't have visited the memorial, which is outside Fort Sumner, New Mexico, if I hadn't seen the documentary, Sun Kissed, which I wrote about here.

This documentary - about two children who died from a genetic disorder - brought home the interconnectedness of biology, history, culture, access to health care and information, science, and technology.

A traumatic event in Bosque Redondo more than 100 years ago contributed to the death of these two children today.

I had to go, and I did, in my final days in New Mexico. 

Wednesday, December 11, 2013

Louisiana: Christmas Eve Gumbo Orders


Now taking Christmas Eve gumbo orders:

Lafayette, Louisiana.


I bet you think Champagne's is pronounced like "sham - pane," right? I did.

But it's not. It's "shawm - pine."  

When the weather turns cold, Louisianans get an envie for some gumbo.

Tuesday, December 10, 2013

New Mexico: White Sands: 365


White Sands, Alamogordo, New Mexico


I read here that an Alamogordo photographer, Rachel Telles, has produced a book on photos from White Sands.

She kept a blog of her year's work: 365 Ways to See White Sands.

It's nice that I have a recorded memory of a drive one evening through White Sands, accompanied by Aster Aweke:






  

Monday, December 9, 2013

Lafayette: Library: Jefferson Street

Lafayette library, temporary Jefferson Street branch, Lafayette, Louisiana.

Paintings above are the work of Logan Berard.


Lafayette has one of the most charming downtowns I've ever seen. Despite being very compact, it packs in two museums, an arts center, a branch of the library, and the usual assortment of restaurants, clubs, and shopping opportunities. Pictures to come eventually.

The Lafayette Public Library System has a number of branches. The original main library is undergoing a massive renovation, and there's a temporary branch on downtown Jefferson Street to stand in during this time.


Lafayette library, temporary Jefferson Street branch, Lafayette, Louisiana.

I loved the basement-y, coffeehouse vibe at this branch.

It only took four staff (on site and over the phone) to give me permission to take these photos.

Lafayette library, temporary Jefferson Street branch, Lafayette, Louisiana.


(In Caucasus Georgia, the first person I asked would have spread his arms wide and said, "Of courrrrrrrrrrrrrse, why would you not take photos?!" But that is a country where complete strangers will come up to you and ask if you want to take a picture of them - with your camera - that they will never see! ... and why would you not?)

(In New Mexico, the first person I asked would have shrugged and said, "Sure.")



 .
A congenial space. Slow wifi, though.




Sunday, December 8, 2013

Lafayette: Oil Center: Lights


Sad to say, the annual Festival of Lights at the Oil Center was a bust. Rainy, cold, wet. Hardly anyone was there. A business owner told me that usually the little business district is packed full of people at this festival, enjoying live music, pics with Santa, window shopping, eating, and drinking.

But at Mixology, an art gallery, there were three spaces filled with light, gilded with color.


Mixology, Oil Center, Lafayette, Louisiana


Mixology, Oil Center, Lafayette, Louisiana


Mixology, Oil Center, Lafayette, Louisiana


It was a sunny place to be on a dreary night.

Saturday, December 7, 2013

Louisiana: Lake Fausse Point State Park in Autumn

Lake Fausse Point State Park, Louisiana. November 2013.


From a visit to Lake Fausse Point State Park in late November:


Lake Fausse Point State Park, Louisiana. November 2013.

Lake Fausse Point State Park, Louisiana. November 2013.

Lake Fausse Point State Park, Louisiana. November 2013.

Lake Fausse Point State Park, Louisiana. November 2013.

Lake Fausse Point State Park, Louisiana. November 2013.

Lake Fausse Point State Park, Louisiana. November 2013.


Funny, I'd assumed that one pronounced "fausse" like "hoss." But a long-time Louisiana resident pronounced it "fossy."

So now I just had a crazy idea - what if I called the park and asked for the correct pronunciation?  So I did. It's "fossy," rhyming with "mossy."

As you may recall, I saw a number of armadillos here.   

I heard a lot of gunshots, and another visitor conjectured the sounds were from duck hunters.




Friday, December 6, 2013

Rootless: Upstairs, Downstairs - or - Going With the Flow




When I moved to Alamogordo, I thought I knew what I wanted: A second-floor apartment. I didn't get that second-floor apartment, and I'm glad I didn't.

As a ground-floor tenant, I: 
  • Had French doors that opened out to a private corner of a community back yard, with shade trees, grass, an attractive stone wall, and my bird feeder, 
  • Realized utility savings during the summer when I ran the air conditioning,
  • Didn't worry about the noise I made when I walked around upstairs (as the sound proofing of the floors was very poor), and
  • When family visited, the ground-floor access was so easy for them. 

My back yard view from Alamogordo apartment


When I moved to Lafayette, I thought I knew what I wanted: A ground-floor apartment. I didn't get that ground-floor apartment, and I'm glad I didn't:

As a second-floor tenant, I: 
  • Have the privacy I crave in a place where, if I were on the ground floor, there'd be frequent vehicle and person traffic going by my windows; 
  • Enjoy a view of big, lush, green plant life next to slanted roofs, and 
  • Can sit outside on the wrought-iron chaise on the veranda by my door and look at the view and not a parked car. 

View from apartment, Lafayette, Louisiana



Speaking of views from my places, one of my favorites is the windowsill in my bedroom at Nely's house in Rustavi, Caucasus Georgia. This was an upstairs place.

Windowsill view, Rustavi, Caucasus Georgia


View from bedroom window, Rustavi, Caucasus Georgia

This wasn't exactly my view from Azeb's house in Nazret, Ethiopia, but it was close:

View from Azeb's house, Nazret (Adama), Ethiopia


This was a ground-floor place. At 6:00 p.m. sharp, one must close the windows because that's when the bimbies (mosquitoes) come out. 











Thursday, December 5, 2013

Louisiana: The Flags

The other day I was standing in the check-out line at a big-box store in Lafayette.

On the cornice at the front of the store, facing into the store, were four flags, in this order (left to right):






































Credit: Sears


















Yes, so I got that the first flag was the American flag and the fourth flag was the University of Louisiana flag. And I knew one of the middle flags was the state flag, but which one? And what was the remaining flag? The city of Lafayette's flag? Cajun flag? Parish (county) flag?

So seeing as how there were other people around me, I asked. The first woman said she didn't know because she'd only lived in Louisiana for two days. The cashier hadn't a clue. Among three other employees, one said she was pretty sure the pelican flag was the state flag and the one with the fleur-de-lis was the Acadiana flag.

I checked it out later online and she was right.

At first I thought, harumph, maybe this general flag ignorance is part of the allegedly dismal state of Louisiana education. But then I had to turn the tables back on myself for two reasons:
  • Isn't there a protocol that determines the order in which a facility displays flags? In other words, the national flag, then state, then ... So shouldn't I have known this protocol?
  • Also, isn't it incumbent upon me to research this stuff (something as basic as what the state flag looks like) before coming to live somewhere? 

Some notes:

The Louisiana graphic above is from the Secretary of State of Louisiana page, and it is the official flag standard. In the store, the flag was not official as evidenced by the irritatingly jarring text graphic: Union, Justice & Confidence. Yechh, that comma and ampersand - visually busy mess!

The Acadiana flag depicted above is the "official" Acadiana flag. Since Acadiana is neither an organization nor a political subdivision, I wondered who made it "official." Ah, the Louisiana state legislature did.



I like the New Mexico state flag for the simplicity of its design and for the powerful, multi-useful symbology of the zia. Both qualities make it easy to brand the state, and quite a few New Mexicans have tattoos of the zia symbol.









I've noticed in Louisiana that the fleur-de-lis serves a similar purpose as the zia - displaying a connection to a place, or better explained perhaps, to the spirit of a place.





Wednesday, December 4, 2013

Louisiana: The Three States


At the first Louisiana visitor center I hit after crossing over from Mississippi, the greeter mentioned that northern Louisiana was different from other parts of Louisiana, that it was more Mississippi-like than the southern half of the state.

More recently, "Thibodeaux," a student of history, explained to me that there are three states within Louisiana: 

  • New Orleans, with its Catholic, French-from-France, Spanish, Caribbean-neé-Africa-and-France, and German roots; 
  • North Louisiana, which was not part of the Louisiana Purchase (a delicious, salacious story in itself), predominantly Protestant, and its development more like the typical westward colonization from "Americans" as in Mississippi; and 
  • South Louisiana, or Acadiana, with its strong French-from Nova Scotia-expelled to Louisiana culture.

Well, then there's Baton Rouge, added Thibodeaux, which has only one culture- make that "cult" - that of LSU and its high priests of the Church of Football.

More on the three states of Louisiana in the future, I'm sure.


Tuesday, December 3, 2013

Missouri: "Like Mowing a 68,000 Square-Mile Lawn"

Truman Building parking lot, Jefferson City, Missouri


"I just kept plying away like a termite on your house, .... My drive was more like mowing a 68,000-square-mile lawn."

Source: Former State Tourism Director Drives on All of Missouri's Back Roads, December 3, 2013, Missourian newspaper. 


John Drake Robinson drove all of Missouri's state-maintained roads over the course of 10 years. This is my kind of traveler. He lives in Columbia, Missouri, not far from my hometown in Jefferson City.

Missouri has a damn lot of road miles. I once heard Missouri has more miles of road than most states. Don't know if this is true. Yup, here we go, from the article cited above: "Missouri ranks No. 7 in the country for the number of miles in its highway system."


Ware Street, Jefferson City, Missouri

Remember the book on back roads, Blue Highways? The author, William Least Heat Moon, lives very close to Columbia, in a river town called Rocheport.






Sunday, December 1, 2013

Rootless: Finding the Light

Bananas in light, St. Louis, Missouri



Whenever I enter my new apartment in Lafayette, I feel good. It’s a petite package. Feels cozy.

Truthfully, it’s also a little homely with its mishmash of salvaged floor surfaces, groaningly-ugly cabinet pulls, and how the sheet-metal back of the stove’s control panel faces the living area. I don’t care about these imperfections.

Lights in slats, Jefferson City, Missouri
There’s a big problem, though. No light. This is a function of the direction my windows face and the width of the eaves over my windows. It doesn’t help that several walls are chocolate brown, which would be lovely in many circumstances, but not this one.



I imagine the lack of sunlight in my Lafayette apartment will be a boon in the hot and humid summertime, but for everyday habitat, something must be done.












It reminds me of that hotel room I had in Lalibela, Ethiopia, in which town I had a major meltdown that distressed the city fathers. An excerpt of what happened after a gruelingly emotional day:
I went to my room, to my dark, depressing room, and discovered it hadn't been cleaned. Returned to the reception lobby, discovered that the custom is to turn in my key when I leave the hotel, so the staff know to clean it. Oh! Then I said, really, I need a different room. It is just too depressing. The assistant manager accompanied me back to my room. When we entered, he moved to turn on the light and I exclaimed, "The light is already on!" I said, "This is the room you give to someone who no longer has the will to live!"

It was not one of my finest moments.

Lamp glow, Warrenton, Missouri

 So I’ve got to gather some light.

Strategies I’ve implemented:

  • Before I go to bed, I open the curtain in the living room so when I awaken in the morning, I actually know it’s daylight outside. Seriously.
  • Open the bedroom blinds during the day so a little light can reach in.
  • Unscrew all the bulbs in the bedroom’s ceiling fixture except for one, and keep it on when I’m home.
  • Also keep one of the kitchen fixture lights on when I’m home. The kitchen is open to the living area.
  • Open the front door for maximum sunlight during the day.
  • Propped my full-length mirror against one of the brown walls in the bedroom so it can catch as much reflected light from the living area as possible. 
  • Moved my office set-up so I am looking toward the door and window instead of where I had it originally, where I was facing toward the interior of my apartment (and the window at my side). 

Strategies I will execute soon:

  • Work outside on the veranda regularly, weather permitting, so I can actually experience sun reaching my skin when I prop my feet against the balcony rail. Not to mention see the sunlight.
  • If I can swing it, I’ll pick up a work table and chair that are tall so I’m level with the living room window. In other words, my head and torso will be above the windowsill.

I've had to gather light before. 

When I first arrived in Rustavi, (Caucasus) Georgia, I lived on the 4th floor of a grim tenement building. The color and warmth of the people within this building countered the depressing exterior of my building and its neighbors, but that wasn't my first visceral experience.

I had envisioned a "hills are alive" postcard view of  Georgia and what I had before me was something I imagined a city in Siberia to look like at the height of the Soviet regime, only hot.


To make this work, I had to find the beauty in my surroundings, and so began a series of The Building Behind Me. 




#30